Low pavilions set around one body of water, a few steps back from the sand. Nothing stands taller than the palms above it, so from the beach the resort reads as shade rather than as building.
The main villa holds the living spaces, dining, kitchen and the master suite; the guest villas carry the bedrooms, each with its own en-suite bathroom and private terrace. Between them the pool is cut like a lagoon, and its curve turns every pavilion towards water and none towards a neighbour’s glass. A planted island in the middle takes the lounge, reached across stepping stones, and past it the ground steps down through native planting to the sand.
Cream limestone runs from the terraces into the floors without a threshold, and deep eaves carry it into shade. The structure shows itself as teak columns and sliding frames so the walls stay quiet. Furniture is plaster and bouclé, with raw stone left rough beside it — the only ornament is the difference between the polished floor and the block that sits on it.